| Abstract |
In the first decades after World War II, one of the most important questions in Japan was how to prevent Japanese society from being drawn back to totalitarian political phenomena. Asking this question implied the need to understand the reasons why fascism had taken over Japanese society in the 1930s and 1940s with relatively little internal resistance. Interpretations from different ideological spheres arose from the endeavor to address these key issues. Orthodox Marxism focused on the economic structure of Japan, characterized by capitalist relations of production marked by strong feudal remnants that facilitated the political manipulation of oligarchic elites with their own particular class interests. Liberal progressivism focused instead on the social-cultural superstructure, especially regarding the individual-collective relationship, which was regarded as underdeveloped in terms of modernity.
Finally, the New Left tended to view the particularly rapid development of capitalist modernity in Japan as having abruptly separated individuals from their original communities, giving rise to an increasingly extreme collective attraction toward the substitute, abstract community embodied in the nation. On the other hand, the theoretical controversy over the origins of Japanese fascism hardly transcended the closed limits of intellectual circles. In this regard, cinema, as mass art par excellence in postwar Japan, sometimes became a mediating instrument between the theories of intellectuals and the consciousness of the masses through the critical representation of fascism in the big screen. This lecture will address the way in which postwar Japanese cinema, through the example of specific films, conveyed to the general public those debates on fascism thus taking them beyond the narrow world of the intelligentsia.
| Bio |
Ferran de Vargas (Barcelona, 1989) is a Marie Skłodowska-Curie Postdoctoral Fellow at the Department of Asian Studies, University of Edinburgh. His main research interest is the study of political ideologies, democratic processes, and aesthetic movements in East Asia, with a special focus on transwar Japan. Dr. De Vargas has been researching left-wing movements, Marxist theory, and the intersection of politics with cultural productions such as cinema in Japan, publishing his research results in journals such as positions: asia critique, Modern Asian Studies, Japan Forum, Film-Philosophy, The Sixties and Arts. He is also the author of a book on the political history of postwar Japan. Dr. De Vargas is currently working on Japanese left-wing political theories and cultural representations of fascism, and on the conversion of left-wing intellectuals into right-wing ideologists in 1960s and 1970s Japan.
| Date & Time |
u:japan lecture | s09e08
Thursday 2024-12-12, 18:00~19:30
| Place & Preparations |
| Plattform & Link |
univienna.zoom.us/j/67062980822
Meeting ID:670 6298 0822 | Passcode: 119176
| Further Questions? |
Please contact ujapanlectures.ostasien@univie.ac.at or visit https://japanologie.univie.ac.at/ujapanlectures/s09/#e08.